Plaid Tidings, Bridge House Theatre

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by Laura Kressly

A wholesome guy group from the 1950s with dreams of superstardom died in a bus crash before they could make it big. But for some inexplicable reasoning, a little-discussed deity gives them one more shot at fame. Plopped in front of an expectant audience seeking Christmas cheer, the Plaids muddle through their posthumous encore. Though the story is utterly baffling, the four performers have heaps of holiday charm.

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The Dark, Ovalhouse

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by Romy Foster

The Dark is an exhilarating and personal journey through the dusty backroads of Uganda in 1979. Jumping between then and present day, Michael Balogun tenderly tells author Nick Makoha’s story of how he and his mother escaped the terror of Ugandan dictator Idi Amin’s reign and crossed the border heading for the UK when he was four years old.

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Rendezvous in Bratislava, Battersea Arts Centre

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by Nastazja Somers

Born in 1913 in Koscice, Slovakia, Ján Ladislav Kalina was a man of theatre and art. He
lived the bohemian life that young people in Eastern Europe romanticise when they get lost in the works of Milan Kundera. Jan is Miriam’s grandfather, and in many ways his story, is that of my grandfather too. Miriam is a theatre-maker. Rendezvous in Bratislava is her ode to what’s lost and what’s remembered.

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Forgotten, Arcola Theatre

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By Laura Kressly

Old Six and his wife Second Moon are poor but have a new baby. Eunich Lin is constantly ridiculed for his lack of balls and family’s poor timing. Big Dog doesn’t know his real name and loves smoking a bit too much. Apart from the love of performing Chinese opera to their friends and families, there’s little else that brings joy to this rural village in Shandong Province. But when the villagers hear that the British and French are recruiting men to work in labour camps to support the WWI troops, this could be a way to change their fortunes.

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My Love Lays Frozen in the Ice, Greenwich Theatre

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by Romy Foster

As funky European folk music fills the air, actors buzz about the auditorium during the audience incoming, handing out vodka shots to the audience. Everyone is excited and the atmosphere is electric, setting us up for a feel-good show. Actually, My Love Lays Frozen In The Ice follows Mathilde (Jodie Davey) and her heart-breaking tale of how her finance, brother and friend died many years ago in a tragic accident.

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The Wider Earth, Natural History Museum

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by Laura Kressly

Newly-minted Cambridge graduate Charles Darwin wants to collect insects and rocks, but his father wants him to enter the clergy. When one of his lecturers recommends him for the positions of resident naturalist onboard Naval ship The Beagle, the 22-year-old jumps at the chance. Over the next five years he sails the world, collects specimens and constructs ideas that eventually become On the Origin of Species. He is also a part of an imperialist mission ridden with Christian colonial attitudes that, in this script, are disappointingly excused in favour of spectacular design.

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The Art of Gaman, Theatre503

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by Laura Kressly

Tomomi stands on the prow of a ship with arms flung open, ready to embrace a new life as a Hollywood actress. There’s something of Kate Winslet in Titanic about her unfaltering determination and hope – and that seminal pose, of course. When an older man disturbs her quiet reflection on the fish feeding below the water’s surface and her need for acting compared to their need for water, her destiny is forever altered.

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Fagin’s Twist, The Place

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By Laura Kressly

Charles Dickens’ story of the orphan boy who nicely asked for more dinner in an orphanage before training to become a pickpocket is here refocused on the older ringleader of Victorian London’s underworld, Fagin. In the musical and film, little is shared of Fagin’s backstory.  But it is the beginning of this contemporary dance piece in two acts.

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