Crystal Clear, Old Red Lion

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by Laura Kressly

Richard is an art dealer living a Bohemian life in the early 1980s – his London bedsit is cluttered with quirky finds from Portobello Market, he fills his time with music, wine and women. When years of not taking care of himself eventually take their toll on his body, writer Phil Young wants us to feel sorry for Richard but his misogynistic and abusive behaviour in this 1982 play makes this difficult to achieve.

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Ladylike, Arcola Theatre

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by Nastazja Somers

Casa Festival, London’s largest Latin American arts festival is an annual event that is not
to be missed. Some of the most groundbreaking and refreshing work I’ve seen in my 8 years in London was staged at Casa, including the incredible, heart-stopping 2017 production of Mendoza, a Mexican adaptation of Macbeth. British theatre reflects British society so to say a resistance to staging international work is quite present would be an understatement.

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10 Things I Hate About Taming of the Shrew, Greenwich Theatre

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by Meredith Jones Russell

“When men insist on telling women’s stories for them, not only do they miss the point of telling a story, but they tell it wrong too.”

Armed with a glitzy jacket, a notebook and a whole lot of anger, Gillian English uses William Shakespeare’s Taming of the Shrew and it’s 1999 teen adaption 10 Things I Hate About You to explore gender roles in traditional and modern art and how they shape us as a society.

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The Crucible, Yard Theatre

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by Meredith Jones Russell

Chairs set out with the name of each character written on the back suggest at first glance that the Yard’s staging of Arthur Miller’s The Crucible will be stripped-back and basic. As the cast enters, reciting the full text including stage directions in their own clothes and accents, it feels like a reading. Only the stackable, institutional chairs themselves hint at what is to come; this could be a committee meeting at a small town village hall where members of a tight-knit community meet to air their concerns and dole out justice. 

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And the Rest of Me Floats, Bush Theatre

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By Amy Toledano

Outbox Theatre’s latest show is a celebration of non-binary and transgender people. It honours the blurry lines of gender and brings joy to people that endure prejudice everyday. Devised by the company, it illuminates the emotions of a community that fights to be seen, and through music, spoken word and movement, create vignettes of moments from their lives in which they have been forced to explain themselves, their bodies and their identities.

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Beauty and the Beast, King’s Head Theatre

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by Amy Toledano

Fat Rascal Theatre Company has created magic in their gender-swapped, musical parody of Beauty and the Beast. This show offers an interesting look at the ideologies behind most classic fairy tales and quite literally turns it on its head with a sharp book, catchy score and brilliant performances.

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Poet in da Corner, Royal Court

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by Laura Kressly

At the start of the millennium, Deborah is a teenager living on the edge of East London with her silent father and zealous Mormon mother. She feels suffocated by religion when she starts secondary school. But as she gets stuck into this new world, she meets Vyper and discovers Dizzee Rascal. Once her mind and her talent are unlocked by these two forces, her life is irrevocably changed for better and worse.

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