If This Is Normal, VAULT Festival

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by Zahid Fayyaz

This is a three-person play, following the lives and loves of a brother and sister, and their best friend, from when they first meet at school, to after graduation, to university. Along the way, their close friendship is threatened by various events and miscommunications.  Developed with support from the Soho Theatre development labs, this is a punchy and kinetic show, in which the hour passes by in – almost – the blink of an eye.

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World’s End, King’s Head Theatre

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by Laura Kressly

It’s 1998, 19-year-old Ben and his mum Viv are moving house again. This time, they’re cramming all their belongings into a one-bedroom ex-council flat in World’s End, Chelsea. They quickly make friends with their neighbours, Ylli and his son Besnik, who are Albanian refugees. The aspirational Viv is unfazed by the move but quiet and high-strung Ben can’t cope. He’s determined to shut himself away with his Nintendo, but the charming and confident Besnik has other ideas.

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Drip, Bush Theatre

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by Amy Toledano

In anyone fifteen years old, emotions are running high. Everything feels bigger and more extreme than it actually is, so it’s easy to be swallowed up by all the feelings. Add on top of that being queer in the North of the UK, and the teen years are bound to be an absolute rollercoaster. Drip is a lovely reminder of what it feels like to be young, and how important friendship is.

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Cuckoo, Soho Theatre

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By Amy Toledano

Cuckoo by Lisa Carroll has all the elements of a wonderful coming-of-age story. Set in a small Irish town, this play packs many a punch, giving us a raw look at what it means to not fit in, to feel lonely in your hometown and how as a teenager, the need to be liked can seem more important than anything else.

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A Hundred Words for Snow, VAULT Festival

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by Laura Kressly

Rory’s taking her dad on his dream trip to the North Pole. The Geography teacher has always wanted to be a proper explorer, and Rory grew up hearing stories about historical adventurers setting out into the great unknown to discover the world.

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Joy, Theatre Royal Stratford East

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An increase in conversations on diversity indicates that people are starting to come round to the importance of more than a token few woman and people of colour on our stages. White male dominance in theatre is increasingly being called out, with some small and mid-sized venues and companies leading the way on diversifying their work. But physical disability draws less attention in the diversity debate, and learning disability even less so.

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