by guest critic Gregory Forrest
A young drug-addicted porn star is looking for someone to kill and eat him. A clean-freak older man is looking for a good, tasty fantasy. So what happens to the carving knife? It’s a strong set up, and when cannibalistic fetishism is first introduced to Consumables – effectively delayed in Matthew Kyne Baskott’s’s script – the topic undoubtedly sticks in your throat.