Play Two, Tristan Bates Theatre

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By an anonymous guest critic

As the audience enters the small studio space, we see a young man scribbling animatedly on a legal pad. Whether he’s mentally troubled or just in an intense creative state, we’re not sure. The mystery of this young man named Trevor (played by the play’s author Scott Howland) unravels over the course of the next hour in this new production directed by Harriet Taylor.

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Superhoe, Royal Court

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by Romy Foster

Nicôle Lecky’s play is an 85-minute, one-woman emotional tornado. She rip-roars across the stage as Sasha Clayton, a typical hell-raising London girl who is 24 and feels like she’s going nowhere with her life. (Hello, did someone say relatable?) Sasha is an aspiring musician who finds herself at a loss and becomes homeless when her ‘perfect’ family kick her out and move to Kent. It’s at this point that she beings to slip into the seemingly enticing world of sex work and the luxuries that come with it.

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The Half, Vault Festival

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By Laura Kressly

Defying the odds, Nell and Cathy are comedians with successful careers behind them. But now that they’re nearing 40, they’re also on the verge of being forgotten by an industry that only values women who meet very specific criteria. When they are offered a rare gig at the London Palladium, this is a chance to resolve lingering tension between them and revive their reputations, but it could also lead to total ruination of everything they’ve fought to achieve.

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Salaam, Vault Festival

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by Laura Kressly

Rema and her mum are at home in East London during Ramadan, preparing to break the day’s fast, when their living room window shatters. Another day, another hate crime – but this event is the catalyst for a holiday full of new friends, new understanding, new creative expression and new betrayals.

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Juniper and Jules, Vaults Festival

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by Laura Kressly

I can’t stop smiling at the memory of the audience almost entirely composed of lesbian couples. Though not a rare thing to see a fringe theatre audience made up mainly of women, the hand holding and cuddling happening around the room indicates there’s something special about this play.

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Anomaly, Old Red Lion Theatre

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By Laura Kressly

Even the most powerful of men can fall when society finally decides their actions are no longer excusable. Unfortunately, women have their lives ruined before these men get what they deserve, and the women closest to them have to clean up the mess. Because the patriarchy is so deeply ingrained, women may even be complicit in the abuse that men perpetuate.

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Burke and Hare, Jermyn Street Theatre

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by Laura Kressly

A story of two men who murder people in order to sell their corpses to doctors in 1820s Edinburgh shouldn’t work as a dark character comedy with music. But largely work it does and this three-hander, though somewhat structurally clumsy, is a good alternative to more typical Christmas theatre.

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