Cowboys and Lesbians, Park Theatre

by Laura Kressly

Best friends Noa and Nina are 17 and have the world at their feet. They are bright, articulate, young women with busy, privileged lives. Despite this, they agonise over the possibility of the world passing them by and whether or not they might actually be quite boring. To manage their worries, they project them – and their queerness – onto a high-conflict romance of their own creation. Set on a contemporary American ranch, scenes from their heightened fiction intersect with the real in entertaining and touching ways.

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Learning to Fly, Edinburgh Festival Fringe

by Laura Kressly

James Rowland’s Songs of Friendship trilogy focuses on the equally hilarious and moving antics he got up to with his best mates Tom, Sarah and Sarah’s partner Emma over the years. These include stealing a friend’s remains and giving him a Viking funeral, and donating sperm to Sarah and Emma. This show is situated outside of that group of friends. Instead, it focuses on another mate who is far less conventional. Though Rowland’s work here is not as neat or as focused as his previous shows, his seemingly truthful delivery and comic timing are as engaging as ever.

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Epic Love and Pop Songs, New Wimbledon Studio

Epic Love and Pop Songs Tickets | Studio at New Wimbledon Theatre in  Greater London | ATG Tickets

by Diana Miranda

High school and a pregnant teenager – Doll (Georgie Halford) lays out what it means to face judgmental peers and an indifferent mother. She finds support in her new friend, Ted (Roel Fox), but this unlikely friendship will face challenges he didn’t bargain for. They talk directly to the audience, overtly assuming the role of storytellers in what starts as Doll’s story. However, as the show moves forward, they begin to disagree on how much truth they share and how they’ll deal with the recollection of events. Doll, arrogant and stubborn, is resolved to move away from the truth. Ted starts by playing along, humble with a big smile, and assumes the role of a sidekick/assistant as they embark on the recreation of the rise and fall of their friendship. Eventually, however, he breaks out from Doll’s solo attempt as he grows determined to bring the truth to light.

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Stages, VAULT Festival

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by Bryony Rae Taylor

This is an ambitious, interactive new video-game inspired musical, melding a tale of the trials and tribulations of a contemporary family with an 8-bit video game aesthetic. Each audience member is given a ‘controller’ (a bit of card which is blue on one side and red on the other), and at certain points in the narrative, they gets a say in what direction the plot turns. Towards the latter part of the show, the narrative rewinds and you see all of the alternative paths that could have been taken.

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Ask Me Anything, VAULT Festival

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by Meredith Jones Russell

Georgie Coles, Rosie Doonan and Kylie Perry asked young people across the UK, born and brought up on Whatsapp, Google and Instagram, to write in and ask them anything, anything at all. They then created Ask Me Anything to provide them with some answers.

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HOT (Helen of Troy), Cockpit Theatre

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by Laura Kressly

Like many teenage girls past and present, Amy is riddled with insecurity about her body to the point that she struggles to see her strengths. She wants so desperately to have everything that her best friend Ellie has – popularity, good looks and a date for the dance. Fortunately, Amy’s super pro-active so she’s gathered together everything she needs to cast a spell that will make her pretty. Things don’t go to plan though – instead of suddenly transforming into a conventionally attractive girl, she summons an unexpected guest.

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Something Awful, VAULT Festival

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by Evangeline Cullingworth

Soph (Natalya Martin) and Jel (Monica Anne) are pouring over creepypasta horror stories at break time and catch the attention of Ellie (Melissa Parker), the new girl in school who wears her phone in her shirt pocket like a sheet of armor. Their interest become fixations, and what begins with giggles and goosebumps quickly reaches dramatic heights. Something Awful perfectly recreates some of the most memorable times at school, the battles fought over playground loyalties, the fanatic scrutiny of gossip and the stories told in ravishing detail. The breakneck thrill of the internet adds to this nostalgia to create a stomach dropping tragedy.

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Eugenius!, Other Palace Theatre

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by Susannah Martin

Continuing from its stratospheric success earlier in the year, now-cult classic musical Eugenius! sets to stun audiences with another limited run at The Other Palace. Minor changes have occurred to revamp the fun, with some recasting and a new song replacing “Superhot Lady”. Sadly, there are no book rewrites, as this is where the show has the potential to go from global to universal.

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