High Steaks, Theatre Deli

by Laura Kressly

Strips of raw steak hang in pairs around a clinical-looking platform covered in white plastic sheeting. They also dangle from a clothes peg pinching ELOINA’s vulva in a literal depiction of the crude term, ‘beef curtains’. She hated this part of her body when she was 10 years old. Since then she has come to understand this self-loathing, that can result in surgery to minimise and reshape a person’s labia, is the result of unrealistic genital depictions. Whilst there’s little she can do to change the porn, media and pop culture industries, ELOINA can raise awareness and foster self-acceptance.

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HOT (Helen of Troy), Cockpit Theatre

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by Laura Kressly

Like many teenage girls past and present, Amy is riddled with insecurity about her body to the point that she struggles to see her strengths. She wants so desperately to have everything that her best friend Ellie has – popularity, good looks and a date for the dance. Fortunately, Amy’s super pro-active so she’s gathered together everything she needs to cast a spell that will make her pretty. Things don’t go to plan though – instead of suddenly transforming into a conventionally attractive girl, she summons an unexpected guest.

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