The Bekkrell Effect, Roundhouse

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by guest critic Rebecca JS Nice

Groupe Bekkrell at CircusFest 2018 presents four women with a climbing rope, teeter board, tight rope, Chinese pole and one energetic stage hand. Four women dressed in tweed and a stage rigged with lights directly at its edge sit tiny as a nucleus within the vast empty dome of the interior of The Roundhouse. Despite the booming base and explosive soundtrack, the work has a gentle expansive presence that dwarfs its surroundings by the time it comes to an end.

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It’s Not Yet Midnight, Roundhouse

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Compagnie XY live and work together, sharing each other’s rhythms and routines. The work they make as a collective captures this ebb and flow of human energy and emotion within a larger group rather than the individual, reflecting their chosen lifestyle. In their latest piece, an impressive twenty-two acrobats fight, flirt and fly through the after-work dusk, but It’s Not Yet Midnight… peaks too soon and winds down with the whisper of mid-week fatigue rather than the frenzied collapse following a blinding night out.

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