Plastic, Old Red Lion Theatre

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by guest critic Joanna Trainor

“Think Columbine, think Virgina Tech, think Sandy Hook.”

Teenage Ben repeats this again and again in order to calm his nerves when he’s being mercilessly mocked by the football team. Less than two months after the Parkland shootings these words don’t sit right. In Ben’s mouth they sound blasé, and they’re not.

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The Moor, Old Red Lion Theatre

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by an anonymous guest critic

Lucie’s play The Moor uncovers the nightmarish reality of Bronagh (Jill Mcausland), a new Mother stuck in a state of abysmal claustrophobia from the landscape which she is in constant fear of and an abusive relationship with her partner Graeme (Oliver Britten).

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Good Girl, Old Red Lion

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by guest critic Joanna Trainor

“This is for people who burst at the seams.”

How do you cope with anxiety when you’re too young to know what it is? This initially appears to be what Good Girl is going to be about – how as children it is so instilled in us  to please others, that the pressure completely warps our sense of self and creates huge problems within our relationships.

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Mrs Orwell, Old Red Lion Theatre

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by guest critic Simona Negretto

In 1949, George Orwell lived the final months of his life in University College Hospital due to a severe case of tuberculosis. Torn between an uncertain faith in a recovery and the consciousness of the approaching end, hoping to write again, he decided to marry Sonia Brownell, a young and beautiful magazine editor. The marriage, as the play keeps reminding us, was a sort of pragmatic contra-deal conceived more out of interests than of love.

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