I Wish My Life Were Like a Musical, Edinburgh Festival Fringe

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by Meredith Jones Russell

Would life really be better if it were a musical? Alexander S. Bermange’s revue show suggests it’s not all lipstick grins and audience adulation. Featuring four performers and Bermange himself on piano, the show tells their story as struggling artists, going from drama school dreams to the disappointing reality of auditions, understudying, second jobs, debilitating dance routines, low pay and backstage backstabbing.

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How to Save a Rock, Edinburgh Festival Fringe

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By Meredith Jones Russell

An earnest entreaty to save our planet, How to Save a Rock is a hugely well-intentioned and charming play which just slightly runs out of steam. It’s packed full of other forms of energy, however, as the whole show claims to be carbon neutral, powered by an on-stage bike and solar power.

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Lobster, Edinburgh Festival Fringe

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by Laura Kressly

Modern dating for straight women is a horror show of dick pics, ghosting, casual sex, stealthing, quashed hopes and heartbreak. Yet Polly keeps at it, convinced she’ll eventually find her lobster – a baffling and tasty creature that will commit to her for life. Fragile and fresh out of a relationship with a guy she thought was the one, she enthusiastically dips her toe back into dating in this cheerful account of her hunt for The One.

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A Rundown of the Roundabout: Six Shows in the Paines Plough Programme, Edinburgh Festival Fringe

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by Laura Kressly

The Paines Plough Roundabout is the most reliable, new writing venues at the fringe. With a collection of work that represents the width and breadth of the UK both geographically and thematically, this year’s offerings are universally strong. From a family musical to a one-man show about a stalker, and everything in between, there is a great selection of shows for audiences looking for new work in a great venue that tours around Britain.

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