by Laura Kressly
Val is a concerned, elderly citizen of her community. She believes that if everyone followed the rules on refuse disposal and the agreed schedule for mealtimes, every thing would be peaceful and orderly. She also believes that recent arrivals like Tracy, displaced by natural disasters, aren’t her problem.
by guest critic Amy Toledano
It is rare that a new musical has the kind of oomph that Broken Wings has in a run lasting just four days. This show has shown that a brilliant cast, outstanding musicians and phenomenal score can create true magic.
by Rebecca JS Nice
The Circus Sampler at Somerset House, two weekends of events focusing on circus with an emphasis on introducing skills to first timers, opens with a demonstration of hula-hoop skills and an opportunity to try it out with the Majorettes. Far From the Norm perform Union Black, a hip-hop battle incorporating two Chinese poles, a tight rope and a cyr wheel, on the first weekend. A lack-lustre exhibition inside Somerset House, under researched and cheaply displayed, gives a snapshot of different circus styles and companies over time. Gandini Juggling Company bring the week of community events and performances to a close with a site responsive choreography, sophisticated in form and silly in performance.
by Laura Kressly
Three beautiful women inhabit an island in the Mediterranean and sing so beautifully that any men who hear them are lured to their deaths on the rocky coast. This may be many modern women’s dream, but after a few thousand years in the same place, they’re not happy.
by Laura Kressly
Our company is restructuring and every one of us has to reapply for our jobs. Tensions are running high, but don’t worry! Our caring employers have asked one of the HR team to lead us in a Mindfulness workshop to help us cope. The thing is that this workshop leader’s life is falling apart as well, and the skeletons are tumbling out of her closet quicker than she can put them back in.
by Amy Toledano
Unlike a lot of shows about a young person’s first time, The Act is a show completely created and performed by teenagers. This wonderfully honest piece has a real sense of understanding and openness.
by Amy Toledano
Taking a fanciful journey through the life of the often forgotten museum cloakroom attendant, this one-woman show gives us a behind the scenes look at how we can turn the mundane into something really special.
By Laura Kressly
Who knew one of Shakespeare’s greatest tragedies could be funny? Director and composer Claire van Kampen has tapped into a rare rhythm that sees Iago as a weaselly, clownish man lacking power and finesse, yet still manages to twist Othello into knots. Played by Mark Rylance, one of the finest actors of his generation, his performance is the strongest feature of this production.
by Laura Kressly
Judy loves the 1950s. Nay, she’s obsessed with the era. Frustrated and tired by the demands of modern life, she and her husband Johnny have kitted out their home with authentic fixtures and fittings, and have dedicated themselves to maintaining a ’50s lifestyle. Are they happy living like they did in the good ole’ days, though?
by Amy Toledano
Despite the incredibly hot conditions at The Hope Theatre during the heatwave, the cast of Bury The Hatchet manage to create a highly energised and engaging piece recounting and investigating the story of supposed axe murderer Lizzie Borden.
The Play's The Thing UK 