Arabian Nights, Hoxton Hall

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by Lara Alier

If you close your eyes and I mention ‘Arabian Nights’, what can you see? How does it feel, sound and smell? The description of Hoxton Hall will probably match what you imagine. Strong incense blends with warm lights and the sound of a little fountain adds ambience to the big Arabic arches.

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Fabric, Soho Theatre

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by Laura Kressly

Leah loves life. She works in a Saville Row shop and shares a flat with her best mate. It gets even better when she meets Ben Cavendish, a new customer at work, and things starts turning into a real-life fairytale. But real life isn’t a fairytale – awful things happen and endings aren’t always happily ever after.

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About Leo, Jermyn Street Theatre

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by Lara Alier

As I was walking to the theatre, down the St. James Street with my H&M boots, I was overwhelmed by a deep feeling of inadequacy. I was surrounded by tailoring shops, light brown leather shoes and the financial times. It was quite uncomfortable. When I finally made it, it felt better than entering a falafel shop after a night out. The intimate atmosphere of this welcoming theatre was the perfect place to slow-cook a good play.

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Eris, Bunker Theatre

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By Laura Kressly

Sean broke up with Tim because he’s just too fabulous and refuses to try to fit in. But now Sean’s sister is getting married back home in Ireland and he doesn’t have anyone to bring to the wedding that will suitably piss off his conservative, Catholic family. With his bestie Callista in tow, he embarks on one outrageous Tinder date after another as the trip home gets ever closer.

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A herd of Zoo shows, Edinburgh Festival Fringe

by Laura Kressly

Over the last few years, Zoo has been quietly building its reputation as a venue, breaking the stranglehold that the Big Four and Summerhall have on high-quality work. With a loose focus on physical theatre and performance, they boast a programme varied in style, but also in quality.

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Queens of Sheba, Edinburgh Festival Fringe

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by Laura Kressly

In 2015, four black women were turned away from the nightclub DSTRKT for being ‘too black’. It temporarily drew attention to systemic racism, but black women still encounter racism everywhere. In schools, work places, social situations and in public spaces, black women must conform to standards of behaviour and appearance that are dictated by white people. 

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Mengele and Gulliver Returns, Edinburgh Festival Fringe

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by Laura Kressly

Misogyny is everywhere, even in stories that aren’t about misogyny. A mysterious woman saves a drowning man who treats her like scum, and a beleaguered wife tolerates a torrent of abuse in the name of genius, but these scenarios lie within stories with more dominant narratives. 

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Status, Edinburgh Festival Fringe

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By Laura Kressly

Chris Thorpe has a parasitic worm somewhere under his sternum that is as much a part of him as he is of it. It’s not something he used to really notice but since Brexit, he feels it deep within his chest. He’s now had enough of it and now would do anything to get it out of his body. 

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