interactive

Arcade, London Film Festival

by Zahid Fayyaz

As part of the London Film Festival’s ‘Expanded’ section, Darkfield return to London’s Southbank for what is their most sophisticated immersive show to date, yet still within their familiar shipping container performance space. In past Darkfield works, you’d be lying down on a bed or sitting in an airplane seat, whilst the production used surround sound and sensory effects to take you into the world of the performance piece. This is generally done with noise cancelling headphones and total darkness, which is also the case here for Arcade.

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The Black Saint and The Sinner Lady, The Barbican

by Zahid Fayyaz

Based on the 1963 album by Charles Mingus, this production transferred from Shoreditch Town Hall after a run last year. The dance/theatre production set entirely on the Barbican stage – the audience join both the Clod Ensemble and the Nu Civilisation Orchestra on stage for the show. With the space done up as a jazz club, the audience sits and stands around the dancers and the musicians during their performance.

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All Falls Down, VAULT Festival

by Laura Kressly

Storytelling – the simple kind where a small group of people sit in the dark and simply share wild and wonderful tales – is an inherent part of being human. In this instance, combining this instinct with improvisation, and audience interaction results in a story following a group of friends trying to find their way out of a plane crash. The audience is the group of friends, and Joe Strickland quietly narrates the set-up. Soon, Strickland introduces a chose-your-own-adventure type of moment that leads to many more. The concept is fun and the audience enthusiastically engages, but the execution raises questions about audience autonomy and the limits of improv.

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Sleeping Beauty and the Beast, Battersea Arts Centre

Review: Sleeping Beauty and the Beast, Battersea Arts Centre - Everything Theatre

by Romy Foster

It’s a wonder that Sleeping Trees have managed to put on a show for kids. Their adult productions are cheeky, provocative, silly and inappropriate but in Sleeping Beauty and the Beast they bring the fun for kids and adults alike in this partially improvised twist on two children’s classics.

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Fear Eats Life, Cockpit

by Diana Miranda

“Today you can get rid of your fear”, Strangers Like Me Collective promises. As the audience arrives at Fears Eat Life, premiering at the Voila! Europe Festival, they find a sheet of paper on each seat inviting them to write down what they’re most afraid of and throw it on stage. And so, this interactive cabaret show, written and directed by Timna Krenn, begins before the lights go down. To throw one’s fears away to the power of theatrical catharsis seems meaningful enough, and the prospect of having performers enacting them back to us in a dark comedy improv seems like something to look forward to.  

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Dig, VAULT Festival

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by Amber Pathak

Standing in a storage container at the top of Leake Street, mud squishing beneath my trainers, I hear a man softly singing. This is it, I think, this is how I am going to die, trying to tunnel my way out onto the streets of Waterloo. A second man appears from the corner and started up a dialogue. I am immediately relieved; I would not be doing any digging.

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Jekyll and Hyde, VAULT Festival

Image result for jekyll & hyde, vault festival

by Zahid Fayyaz

This is certainly something different to the majority of the festival’s shows: rather than a traditional show, it is a scavenger hunt/immersive promenade show, put on by establishedcompany Fire Hazard games. Based on the famous Robert Louis Stevenson story and pop culture icon, this show puts you and your smartphone in a quest to find out what is behind your missing memories from the night before. You can enjoy it solo, or in a group up to 3 people, but it certainly requires a lot of walking, and decent weather certainly helps.

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The Grim, VAULT Festival

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by Laura Kressly

In a recent article, Nick Chater explains that the majority of people aren’t likely to rebel against tyrannical governments. Most of us are predisposed to follow rules, no matter how arbitrary they are. We might think that we would lead a revolution, but in all likelihood, most of us will do what we’re told. 

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All Wrapped Up, Stratford Circus

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by Laura Kressly

Oily Cart makes gently immersive, highly sensory performances for people under five years old, and people with complex needs. This winter-themed touring show for little ones takes them into a world of colourful lights, dark shadows and sparkly parcels that reveal an array of treasure, from reams of bubble wrap, to coloured lights to a magnificent puppet constructed out of cellophane. As lights dim and glow amidst the white drapes and shimmering cushions, children are invited to explore the tactile, etherial landscape that evokes the the wonder of unwrapping presents on a snowy Christmas morning.

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