Lights Over Tesco Carpark, Edinburgh Festival Fringe

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by Laura Kressly

Poltergeist Theatre wanted to make a show about alien abductions, so they advertised locally to see if anyone had any stories. An email from a man called Robert leads them down a rabbit hole of research and testimonies that often sound mad – but is there truth in these stories that are so quickly written off?

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The Abode, Edinburgh Festival Fringe

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By Laura Kressly

Imagine the world without the technological advances of the last few decades. No mobile phones, no internet, no ipods. Just Walkmans and two-way radios and clunky TV sets – but the political landscape is still the same. Where will all the incels gather without reddit?

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No Kids, Edinburgh Festival Fringe

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by Laura Kressly

George Mann and Nir Paldi founded Theatre Ad Infinitum over a decade ago and have toured the world with their socio-political devised work since. From sci-fi dystopias to Mexican factories, their searing productions draw on physical theatre and international performance to create distinctive shows with powerful commentary.

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YAYAYA AYAYAY, Southbank Centre

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By Laura Kressly

The infant Earth was a place of chaos and noise. High winds, rivers of lava and churning layers of rock glowed and cracked. It’s from this hot, toxic sea that arose the perfect conditions for life as the surface of the planet divided into sea and land, and gravity’s pull invited the formation of an atmosphere.

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Mexico: A Love Story, VAULT Festival

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by Laura Kressly

Critics don’t enjoy writing pans. We don’t review because we want theatre to be bad. Quite the opposite – every time we take a seat, whether it be plush and commercial or a bench on the fringe, we hope the show we’re about to watch is the best thing we’ve ever seen. But we’re duty-bound to be honest.

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Boys, VAULT Festival

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by guest critic Ava Davies

Boys, the inaugural piece by physical theatre group The PappyShow, is about exactly that. It’s an exploration of manhood, of masculinity, of what it means to be a man of colour in the UK today. It’s about mess and silliness and play and pain. It’s about the complexity of selfhood – because how can one man possibly contain all these multitudes?

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Maiden Speech, TheatreN16

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In world of Harvey Weinsteins, Bill Cosbys, MRAs and other own-brand misogynists in and out of the arts, A mini-festival of feminist theatre should be a soothing balm to the wounds wrought by male privilege. It is, in part. Though it’s great that feminist work is getting much-needed exposure, Maiden Speech varies in quality and lacks true intersectionality.

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