by Laura Kressly
Last summer, New York’s Shakespeare in the Park made international news with its production of Julius Caesar, updated to contemporary America with Caesar looking rather suspiciously like Trump. When the right wing press got wind of it, protests outside the theatre ensued.
Fortunately, this is much less likely at Nick Hytner’s similarly Trumpified Caesar. Unfortunately, his look at the devision between the ignorant, poor right and educated, middle class left is a simplistic and occasionally wildly inaccurate comparison to real life partisan policies.
What with the prominent use of music in Twelfth Night, an actor-muso production is certainly a reasonable concept. Original Impact also sets the play in modern-day summertime, playing up the drunken frivolity at the forefront of the story. The recontextualisation largely works, though combined with some brutal editing, it glosses over the more sombre themes of grief and displacement. The cast demonstrate a range of ability with verse and performance skills, and there are some signs that the director isn’t familiar with Shakespeare. It’s not a terrible production by any means, but some minor adjustments would lend it a more professional feel.