It’s Not a Sprint, Vault Festival

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by Christina Bulford

Ever felt like you were stumbling through life rather than running it? Living in London can feel like a sprint sometimes, barging up and down escalators and chasing pay cheques whilst trying to hold family and friends, a career and a love life together in your sweaty palms. As if that wasn’t enough, you meet stumbling blocks along the way, like: what day do I need to put the bins out? How many weeks is it acceptable not to wash my sheets? Will I ever be grown-up enough to be in bed by ten, or to do a weekly shop?

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The Grand Expedition, a secret location

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by an anonymous guest critic

Gingerline have been making waves in the theatre-foodie experience crossover industry for a few years now. It starts off well: the set is incredible, the food interesting and absolutely delicious, the animation and use of projection astonishing, and the interactive nature of the experience is fun without being overly embarrassing for participants. The execution of this show succeeds brilliantly on so many levels.

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And the Rest of Me Floats, Bush Theatre

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By Amy Toledano

Outbox Theatre’s latest show is a celebration of non-binary and transgender people. It honours the blurry lines of gender and brings joy to people that endure prejudice everyday. Devised by the company, it illuminates the emotions of a community that fights to be seen, and through music, spoken word and movement, create vignettes of moments from their lives in which they have been forced to explain themselves, their bodies and their identities.

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Dinomania, New Diorama Theatre

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by Lawrence Osborne and Laura Kressly

Have you ever heard of Gideon Mantell? We hadn’t. But this multi-role telling of the life of the Sussex-based Victorian doctor and amateur geologist, whose discovery of the Iguanodon instigated relentless conflicts with the Church of England, is a compelling, musical story of a man willing to lose everything in the fight for scientific progress.

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Lamplighters, Vault Festival

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by Meredith Jones Russell

Billed as part theatre, part game, part improv comedy, Lamplighters is certainly attempting to cast its net as wide as possible when it comes to appeal. Based on host and star Neil Connolly’s attempt to relive his favourite childhood game, it asks willing audience members to join in a madcap game of John le Carré-style spies.

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Bon Voyage Bob, Sadler’s Wells

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by Laura Kressly

I’m going to go out on a limb and state than any performance lasting three and a half hours should be good. At a minimum – if it has a name like Pina Bausch’s attached it should be much better than good. It should be complex, groundbreaking and innovative.

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