Gilded Butterflies, Hope Theatre

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by Amy Toledano

There have been several different mediums focusing on the story of the female prisoner, especially from the US and Gilded Butterflies, while following this same theme, pays particular attention to the prisoner herself. It gives her story a voice and allows for a deeper understanding of her perspective. This two-hander is a lovely exploration of not believing everything you hear.

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Baby, Drayton Arms Theatre

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by Amy Toledano

Baby by MKEC Productions follows a year in the life of three couples as they experience the world of childbirth, from their struggles with conception, to difficulties in their relationships and within themselves as individuals. This talented cast does their best with this dated book and ideas, and attempts to bring the 1983 Broadway hit into the 21st century.

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Beauty and the Beast, King’s Head Theatre

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by Amy Toledano

Fat Rascal Theatre Company has created magic in their gender-swapped, musical parody of Beauty and the Beast. This show offers an interesting look at the ideologies behind most classic fairy tales and quite literally turns it on its head with a sharp book, catchy score and brilliant performances.

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The Full Bronte, The Space

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by Jack Solloway

Raucous, loose and incredibly silly, Scary Little Girls’ The Full Brontë is as much about the Brontës as is a bare arse and a lick across the arm. Subjected to both of these, audience member Clive was about as prepared as the rest of us for the romping, light entertainment cabaret about Yorkshire’s most famous sisterhood of writers.

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Pickle Jar, Soho Theatre

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by an anonymous guest critic

A masterclass in one-woman storytelling, Pickle Jar is delicately told in the intimate setting upstairs in Soho Theatre. Staged on a minimalist set with potted plants in various locations, the setting gives little away of what the journey is we are about to experience. This places more pressure on the performer to create the world for us, but she certainly delivers.

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