Elizabeth has two daughters. Her youngest is “fine”. Her eldest has profound hearing loss. This diagnosis, in our able-bodied world with all its bias and privilege for those that are “normal”, is a hard one to take. Elizabeth wrestles with guilt, frustration and the never before considered world of adaptation to suit her daughter’s needs.
Theatre maker and actor Erin Siobhan Hutching grew up in a mixed D/deaf and hearing household. Collaborating with the Deaf & Hearing Ensemble, People of the Eye is her story, and those of families everywhere. It tells of parents, siblings, signing and secret languages. Projections and signing facilitates aid accessibility and support storytelling, creating a heartwarming montage of moments. The story is thin, but the message is clear: living in both the D/deaf and hearing world is a blessing.
Emily Howlett performs with Hutching as Elizabeth’s eldest. She signs as well as speaks and takes on several roles: a doctor, a sign language teacher and one of the two central characters. She and Hutching have a lovely chemistry and are generally believable as young siblings. Hutching also switches between Elizabeth and her younger daughter; these transitions are not always clear.
There is an added pedagogic element of Elizabeth taking a sign language class where the audience becomes the rest of the class. Though good fun, it is slightly forced – the story of this family is much more engaging than a lesson.
People of the Eye could certainly do with fleshing out, and its initial premise and structure are robust enough to withstand further development. The performances are engaging and they provide a lovely insight into family life with a disabled family member. The visual structure is a model for other productions seeking to increase their accessibility and can easily be applied to shows where deafness is not specific to the script. It’s a fantastic start with great potential.
People of the Eye runs through 27th August.
The Play’s the Thing UK is committed to covering fringe and progressive theatre in London and beyond. It is run entirely voluntarily and needs regular support to ensure its survival. For more information and to help The Play’s the Thing UK provide coverage of the theatre that needs reviews the most, visit its patreon.