by Maxine Smiles
As reporters all over the country zip themselves into their waterproofs to stand in front of wheelie bins that have fallen over in the wake of Storm Jorge, down in the Vaults it’s Hurricane Jonas that is clogging up the airwaves. CNN are filming in the Cherokee Valley Zoo, and have picked the animal handler Bonnie (Lily Bevan) to guide them her day as she prepares the animals for a troubled night.
by Amber Pathak
Ever wanted to be famous? Now you can! For the small price of your dignity, you can attend Erinn Dhesi’s “How To Be An Influencer Whilst Alienating People” workshop. The hour-long lecture covers career options, how to boost engagement and, like, a super- important message about identity.
by Keagan Fransch
Oli and Leah are a queer couple who have just inherited a house. Well, Oli has, and Leah as their devoted, loyal partner has come along for the ride despite her misgivings about what this milestone in normativity will do to their carefully curated queer existence. But with books going missing, wires tripping and odd sounds coming from the basement, it soon becomes clear that perhaps the house is just as unsure of them, as they are of it.
by Meredith Jones Russell
Life and Death of a Journalist follows Laura, an English reporter who returns home from Hong Kong to be offered the job of a lifetime on a China-backed newspaper. However, as the paper goes to further lengths to appease its censor-happy investors, Laura gets more conflicted about her journalistic ethics.
by Laura Kressly
Two mouldering animal carcasses dangle from butchers hooks at the back of the stage. Glistening fat and muscle clinging to white bone waits to be turned into an expensive meal, then served at the high-concept restaurant’s table for two in the foreground. But fuzzy, green patches around the edge of the larger, more exposed dead body exude an unsettling energy – this meat is old, with the mould indicating a deeper, more insidious rot that’s not so easy to cut out.
by Evangeline Cullingworth
Molly is working things out. But grief is difficult, comedy is difficult and trying to stop your dead boyfriend’s grandma from assassinating the president is difficult.
by Dora Bodrogi
Forget trying to get your Friday Forty tickets to Cursed Child. Dumbledore is So Gay is a play so good you won’t need a philosopher’s stone to give you life.
Meet our hero, Jack – a teenage boy who hates French, got sorted into Hufflepuff, and who is in love with his best friend Ollie. Life is not going to be easy for him growing up gay during the heyday of Harry Potter. His story is told in three acts.
by Jade Pathak
Essence explores the theme of loneliness, what it looks like, and its impact on human relationships. Sarah Henley’s charming, new 60-minute play tells the story of how 32-year-old Elyot’s repetitive, meticulously-timed life which he has full control over gets blown apart when Laquaya – 14, intelligent, gentle, yet loud and argumentative – breaks into his home. It is an incredibly thought-provoking and hugely enjoyable story that everyone can relate to.
by Lizzie Jackson
In the dark and atmospheric Cavern at the Vaults, theatre company Long Distance present us with their first play, Omelette. It explores many of the important questions on the climate crisis. How far should we go to save the planet? How far is too far? Does it make a difference? Should we give up coffee forever?
by Zahid Fayyaz
A site-specific play with a slight immersive element for the audience, this is the latest
production from new company Bee in my Beanie. They establish a framing sequence consisting of the Archivist Society looking at a ‘story’, with the head archivist portrayed as a magnificent, giant puppet. This is mainly the story of Aamira and Gad, two children on opposite sides of a border conflict, forced to come together following a sudden loss.