Madonna or Whore?, VAULT Festival

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by guest reviewer Daphne Penn

Holly Morgan and Tom Moores create an upbeat, haphazardous cabaret sketch show that is loosely based on the daytime TV show Ready Steady Cook’s audience participation in order to judge important controversial women from history. Well, not all the women, not Madonna because ‘She’s too perfect to judge’ – in much the same way the TV show audience judges food.

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Sacha Guitry, My Daughter and I, Drayton Arms Theatre

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by guest critic Kudzanayi Chiwawa

Director Marianne Badrichani brings us this adaptation inspired by Sacha Guitry, a 20th Century playwright, actor and director. It includes short plays and extracts of his works, performed by an ensemble of three – Edith Vernes, Sean Rees and Anais Bachet.

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Mary Stuart, Duke of York’s Theatre

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by guest critic Kudzanayi Chiwawa

Heads or tails – with the flip of a coin, on this evening, Juliet Stevenson is Elizabeth I and Mary Stuart is portrayed by Lia Williams.

The play opens with urgency, the stakes are high and the rhythm throughout doesn’t let up. It’s exhilarating. Williams commands the stage like a beautiful beast, burdened by captivity. We know how history reads for these two women, but the battle waged on stage, makes you wonder how will it end.

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Lamplighters, VAULT Festival

by guest critic Joanna Trainor

There’s a mole in the secret service.

Neil Connolly is spymaster James Sneezy, and he’s gathered us all to find out who the double agent is. It won’t be easy for the audience though; there are high levels of security to get through, cryptic communications to decipher and definitely no running.

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Ladyface, VAULT Festival

by guest critic Amy Toledano

Highly inventive, energetic and hilarious, Ladyface has every element that a good comedy show should. This one-woman sketch show introduces us to a range of characters, from a rich bratty child who hates poor people, to a quirky girl and her pet prawn, to a poet who performs poetry about her various ailments. Ladyface (aka Lucy Farrett) brings them all along for the ride.

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