The Three Musketeers, St Paul’s Church

by guest critic Meredith Jones Russell

It’s 1626 and a young d’Artagnan sets out for Paris, determined to join the King’s Musketeers. There’s just one problem – women aren’t allowed.

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A roundup of the Roundabout, Edinburgh Festival Fringe

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Paines Plough’s flatpackable Roundabout theatre is one of the most exciting new writing venues of the fringe. Tucked in the rear courtyard at Summerhall, the intimate, domed space features several plays spotlighting Britain’s working class this year. From Scottish school gates to a Yorkshire village, the best writing here this fringe wrenches theatre’s narratives away from the privileged classes.

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Emilia, Shakespeare’s Globe

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by guest critic Nastazja Somers

Anger is what I am not allowed to feel.

Most days I wake up, think about the prospect of hiding my anger and dealing with whatever life throws at me, then consider hiding under my duvet. The theatre industry keeps throwing so much shit at women that sometimes the only way we can keep going is by unleashing our rage. Except anger is an emotion often denied to women. So we suppress and suppress and suppress. It’s a vicious circle and it keeps happening. EVERY. SINGLE. DAY. My hope of ever witnessing a true revolution for women in theatre began to disappear over the last year – until this show.

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