One For Sorrow, Royal Court


By guest critic Gregory Forrest

I swear to God the Theatre Upstairs is gonna give me an aneurism. An explosion. Pitch black. Shouts and screams and gunfire. The immediate sense of panic is all consuming, and I don’t blame one lady for having to bow out of Cordelia Lynn’s startling new play One For Sorrow.

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The Tempest, St Paul’s, The Actors’ Church


by guest critic Joanna Trainor

There is something magical about watching this open air production of The Tempest in the gardens at the Actors’ Church. Sun going down, wind whistling through the trees – it is such a beautiful setting and the lighting and sound design by Benjamin Polya and Filipe Gomes respectively set the mood perfectly. Actually, the performance itself could have done with a little more actual magic*, not that we don’t appreciate a good coin being pulled from behind someone’s ear trick.

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