Camilla Whitehill’s grandmother died when her dad was 10 years old. He never talked much about her, but Camilla is fascinated by this woman she never met. Inspired by familial memory and grief, Whitehill and five other theatre makers draw on their own histories to create a playful homage to the endurance of family stories. It’s a joyful experience with a retro seaside aesthetic and a big heart, though lacking in polish and a consistent throughline.
by an anonymous guest critic
It’s fair to say that watching Jerry Sadowitz is not for the fainthearted. There is no topic that this infamous comedian/magician won’t attempt to mine comedy material from. So whilst a lot of his jokes are extremely funny, quite often they are proceeded by a jolt to the audience as they realise that yes, he is about to do a bit about some of the following subjects: paedophilia, the Hillsborough disaster, rape, the Holocaust, Trump (whom he supports), Bridget Christie and Stewart Lee to name just a few. Most of the time, the audience, who are well tuned into Sadowitz’s ruthless style, are in hysterics.