Town Hall Cherubs, Battersea Arts Centre

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Dear Town Hall Cherubs,

I know we only met yesterday afternoon but I haven’t been able to stop thinking about you since then. Concentrating at work today has been really hard – I couldn’t wait to leave so I could pen this missive, and I’ve been fighting the tiredness that comes with broken sleep filled with golden apples, inflatable little friends, snow and glitter. I’m off somewhere else tonight, but I’m still smiling at the memories of your gentle journey of discovery around Battersea Arts Centre. I’d love to keep you all to myself, but your warm, generous nature shouldn’t be caged, nor is it fair of me to prevent others, young and old, from experiencing the wonderful joy you evoke. So here’s a review for you to share with families far and wide:

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The first generation of immersive theatre fans are growing up. The twenty-somethings who discovered Punchdrunk in their early days are 30-somethings. Now immersed in nappies and temper tantrums as well as non-traditional theatre, these new parents will have high expectations of children’s theatre. Pros arch, run-of-the-mill theatre isn’t enough for them, or their progeny. Fortunately, that first wave of immersive theatre makers is also starting families of their own. Merging interactive, immersive and promenade theatre to create a site-specific adventure for 2-5 year olds, Theatre Ad Infinitum and Sarah Golding from Battersea Arts Centre team up to create children’s show Town Hall Cherubs, a winter adventure that brings the building’s distinctive architecture to life among a landscape of sensory-focused design elements.

Dani (Danielle Marshall) gently rallies a group of children, parents and early years teachers in a cozy corner next to the BAC’s grand staircase. Soothing music and colouring in a drawing of a cherub warms the children to her before they head up the stairs to a discovery on the landing. They find a cherub (joyful and wide eyed Barra Collins) and a fabric garland that continues their music-accompanied journey through several rooms; each contains interactive, sturdy set and design. My favourite is a room full of “little friends”, inflatable blobs by Amy Pennington that the children can dance and climb cardboard mounts with, roll, cuddle and any other imaginative play they can create. The children also discover a giant kaleidoscope by Ted Barnes and Amy Pitt, and a replica of the BAC staircase that Deborah Pugh brings to life as Sarah, a dragon-seahorse creature that’s scared of falling down.

Though the kids won’t notice or care, the moral tacked onto the end feels unnecessarily teacher-y, and Cherub’s plan to go on an adventure and then return home could have been clearer at the beginning. These tiny potential improvements certainly don’t detract from the quiet, calming joy of the event.

This isn’t a high energy, raucous performance. It’s intimate, gentle and encouraging with the pace dictated by the group. As an adult without a child there, it was a joy to observe the children’s reactions to their discoveries and freedom to engage with their new surroundings without fear. It’s a powerful reminder to notice the tiny details around us and enjoy the pleasure of experiencing something new beyond our regular routines.

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Thank you again, Town Hall Cherubs, for having me along on your gorgeous little adventure.


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