by Zahid Fayyaz
Winner of Drag Race UK this year, Lancaster’s Ginger Johnson celebrates her victory with a Christmas residency for most of December and the first week of January. Ably accompanied by the wonderful Sarah Rose on the keys, this is a technicolour riot of music, comedy and fabulous costumes.
Continue reading
by Zahid Fayyaz
Fresh from a successful run at the Edinburgh Fringe, Cassie Workman brings her lyrical 55-minute poem to the intimate upstairs space at the Soho Theatre. A spoken-word performance of uncommon intensity, it tells the fictional and fantastical story of the narrator traveling back in time to try to save Kurt Cobain from committing suicide. It touches on additional, more universal themes and issues however, so it isn’t just for the Kurt Cobain fans to enjoy.
Continue reading
by Laura Kressly
It’s getting late and raining hard, so most people have settled in for the night. Instead of a quiet one, playwright Paula B Stanic’s world premiere takes us to Croydon, where an array of night shift staff are working. We meet a huge host of Deaf and hearing people, including an emergency services dispatcher, a delivery driver, a DJ, a doctor, and a train driver who keep the borough moving whilst everyone else sleeps. As the storm floods the streets, the disparate collection of characters struggle to get their work done and battle with their own demons across short scenes and movement sequences.
Continue reading
by Diana Miranda
A darkly humorous play about influencer culture in the AI age, Racheal Ofori’s FLIP! is a witty two-hander that follows the journey of friends Carleen and Crystal, popular co-vloggers who go above and beyond for online fame. After a few hit-and-miss attempts, Carleen starts producing content with FLIP, a new social media platform that utilises advanced AI. The fun satire takes a dark turn, and what follows is an exploration of the lengths people may go to craft an identity appealing to the masses, all for the sake of fame and fortune.
Continue reading
by Zahid Fayyaz
This is the premiere of an adaptation of the popular 2020 Eliza Clark novel, Boy Parts. A comic thriller, this is the story of Irina. She is a Newcastle-based photographer of young men, and is either a violent killer or a damaged fantasist. It’s never clear which one is the correct interpretation of the main character. This makes the show more fascinating, as it leaves the audience and reader without a sure footing.
Continue reading
by Archie Whyld
What an honour to be invited to residence of the Argentine ambassador on Belgrave Square for the UK premiere of South American dance sensation, Malevo. After being treated to a glass (or two) of Malbec from Vistalba of the Mendoza region of Argentina (characterised by subtle hints of ripe cherry and more complex notes of leather, tobacco and black pepper, it was both delicious and moreish), I was suitably primed for this high energy, intricately choreographed, blast of Malambo passion.
Continue reading
by Michaela Clement-Hayes
Real life can often be bleak, so many of us choose to escape from time to time. Perhaps we do this by reading a book, or going to the theatre. Those few hours of respite allow us to leave our world behind and be anyone we wish to be.
Continue reading
by Zahid Fayyaz
Having previously created highly acclaimed solo shows in the last year, friends Frankie Thompson and Liv Ello have joined forces to produce a two-hander. Set in the aftermath of a nuclear apocalypse, the pair play survivors trying to determine who they are and how they fit into this new world. It is a clear nod towards Waiting for Godot. However, this narrative is very loose, and gives way to scenes that are both very funny and moving. These share the pair’s feelings towards society’s expectations on gender and the shape of bodies.
Continue reading
by Zahid Fayyaz
Fresh from a sold-out month at the Edinburgh Fringe, Ben Target, former Perrier comedy award nominee, comes to London with a run of his highly acclaimed solo show. A return to the stage after spending the last few years collaborating with other artists, this is a brave and startling work.
Continue reading
by Diana Miranda
Delightfully ludicrous, The Importance of Being Earnest under Mark Beer’s direction captures the sarcastic humour so well-embedded in Wilde’s satire. Through spot-on characterisation, strong performances and a detailed set, this fringe show takes us on a time-travelling ride to London’s 19th Century high-tea culture, where appearances are of the utmost importance.
Continue reading
The Play's The Thing UK 