Pizza Shop Heroes, Tara Arts

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by Laura Kressly

In an unassuming takeaway pizza place somewhere in London, four men answer the phones and process orders. They also reminisce about the journeys that led them there. From Afghanistan, Albania and Eritrea, they made their ways through war zones, deserts and detainment centres on their own, as children. Now they’re adults with hopes and dreams like anyone, but they are irrevocably shaped by their experienced as children seeking safety in a country that’s doing its best to deter them, and others like them, from living safe and peaceful lives. It’s time for us to listen to what they have to say.

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Godspell in Concert, Cadogan Hall

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by Amy Toledano

The British Theatre Academy presents this colourful, semi-staged concert version of Stephen Schwartz’s Godspell. Providing a space for young performers to gain real theatrical experience, this particular version is a lovely ode to a well-loved piece of music theatre.

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WOW EVERYTHING IS AMAZING, Battersea Arts Centre

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by Laura Kressly

As the world feels more and more like a dystopian nightmare that could explode at any moment from greed and relentless late capitalism, it’s unsurprising that young people are worried about their future. Sounds Like Chaos are a soothing balm for them, though. The associate company at the Albany supports referred and self-referred 12-21 year olds with training, employment opportunities and opportunities to make theatre, treating them with respect and valuing their ideas. Their latest ensemble work is set in the near future, using music, projections and ritual to critique online culture.

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Oral, Camden People’s Theatre

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by Laura Kressly

CW: sexual abuse

I don’t think much about my mouth. I’m not a fan of the dentist – who is? – but I quite love filling it with food. In any case, I don’t really put any thought into my relationship with it. Theatremaker and mental health activist Viv Gordon, on the other hand, relives a childhood scarred by oral abuse every time she gets her teeth checked. Brushing them makes her gag. Yet her experiences are often dismissed, ignored or patronised, making her feel invisible. She’s had more than enough of that, so she made a show that demands awareness of the survivor’s plight.

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Going Through, Bush Theatre

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by Laura Kressly

At the start of what seems to be a fairytale, we meet Nour and Yumna in their tiny house. They have just enough space for the two of them and all the things they need. Though Yumna’s ears don’t work, she’s teaching her language to the little girl she’s raising on behalf of her best friend whose gone to make a new life in a faraway land. They are happy, want for nothing, and their days are full of light, love and stories. But the bombs are getting closer, the men with guns are ever more threatening, and Nour’s mother could send for her at any point.

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One Million Tiny Plays About Reading, Progress Theatre

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by Louis Train

In One Million Tiny Plays About Reading, a pride parade passes through the town, two kids commiserate over their hard luck at school, a tour group visits the town centre, and an MP takes photos at a food bank. This charming kaleidoscope takes the model invented by Craig Taylor in his landmark play One Million Tiny Plays About Britain to present a few dozens vignettes about daily life in Reading.

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