Alex Edelman: Just For Us, VAULT Festival

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by Stephanie Hartland

It was supposed to be an hour of “funny, shitty jokes”, or at least that is what Alex tells us. However what the audience is presented with is 60 minutes of non-stop laughs at relatable, witty and relevant jokes that deal with small and huge issues alike.

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Dad’s Army Radio Show, British Library

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by Chris Pickett

Two men on a nearly empty stage, reading aloud scripts from a sitcom first screened over fifty years ago, might not sound like the makings of a great night out. But for fans of the beloved television show, Dad’s Army Radio Show is a genuine treat.

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The Murder of Kuchuk Hanem, VAULT Festival


by Isabel Becker

For newly formed theatre company Afkar, their debut play is a strong and creative response to Edward Said’s concept of Orientalism in modern-day Britain, but not something extraordinarily fresh or unique. Drawing from duplicate Orientalist accounts by Western men of Kuchuk Hanem – a famous dancer in Egypt in the mid-nineteenth century and subsequent symbol of the male Orientalist gaze – the play draws interesting parallels between Victorian depictions of Middle Eastern women and the lived experience of these women today.

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Sold, VAULT Festival

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by Laura Kressly

In 1831, Mary Prince’s autobiography was the first book published in the UK about a Black woman. Her straightforward, emotive prose shares her lived experience of being an enslaved woman in the West Indies and England in great detail, including numerous accounts of abuse. This two-woman show embraces it all, packing this story of family separation, numerous masters, and a quest for freedom into an hour. Dance, music and ritual are embedded into the dramaturgy, too – this is a dense show, but one telling an important story that’s exquisitely performed.

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Post Popular, Soho Theatre

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by Laura Kressly

I feel for the stage manager that has to coordinate the clean-up after this show. Soil, leaves, ketchup, chocolate wrappers, cherry bakewell crumbs, fake flowers and bodily fluids are everywhere. Lucy McCormick is certainly the queen of filth. She’s also ruler of the absurd, grotesque and biting social commentary. Though her previous show Triple Threat is more sophisticated than this one, comedy and vulgarity join forces as McCormick chronicles history’s strong women in the hopes of finding herself a hero.

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