Author: laurakressly

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Thought to Flesh, VAULT Festival

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The ice bucket challenge did a lot to raise awareness of Motor Neurone Disease. But how many people who froze their tits off because their mates dared them to actually learnt anything about the condition? Probably not many, so other means of educating about the condition are needed. Supported by the Wellcome Trust, Thought to Flesh creators Nathalie Czarnecki and Gareth Mitchell worked with doctors and researchers to develop a work that shares the human side of MND in an episodic montage following a young woman’s life with MND.

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Hotel Europe, The Green Rooms

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As populism rises and fascists are tightening national borders with physical walls and stricter immigration regulations, the revolution is gaining speed. Protests and rallies are the most prominent forms of activism, but there is a growing movement in DIY and small actions.

Theatre isn’t standing by, either. In five of the bedrooms at the recently opened hotel for artists The Green Rooms, Isley Lynn and Philipp Ehmann have installed binaural radio drama performances telling stories of migration. With each story by a different writer, solo listeners are treated to intimate, personal accounts of characters impacted by migration. Quietly subversive, each story snapshots a changing world and the vulnerable people affected by the right wing’s knee-jerk, xenophobic reaction.

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The Understudy, Canal Cafe Theatre

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by guest critic Jo Trainor

“An actor who needs money? What a unique situation!”

A long lost Kafka play is having its premiere on Broadway. Two big Hollywood action stars are playing the leads, but the fickle nature of unseen Bruce means they’ve had to cast Harry as an understudy. Breaking the fourth wall to speak to the audience, Harry takes us through his first rehearsal with actor Jake and stage manager Roxanne.

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Feature | No, Dominic Cavendish – You Are the Thought Police

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by Dr. Jami Rogers, University of Warwick

Dominic Cavendish can rest assured: he will not lose the opportunity to see his favourite (white) male actors in leading Shakespearean roles. After all, what producer would refuse Kenneth Branagh the chance to play Leontes in The Winter’s Tale or stop inviting Ralph Fiennes to work his way through the classical canon? The star system remains overwhelmingly skewed towards the (white) male and, as such, any (white) male classical actor who fancies it will most likely be first in line for a West End Shakespearean lead. Antony Sher has just played King Lear and Simon Russell Beale showed us his Prospero, to name two more male classical actors who are not exactly short of Shakespearean work. Cavendish’s opinion piece is misguided in its assertion that men are an endangered species on the classical stage – and somewhat light on facts.

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The Wild Party, The Other Palace

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Newly rebranded as The Other Palace and now part of Andrew Lloyd Webber’s empire, the former St Jame’s Theatre aims to focus on new British musical theatre. With Paul Taylor-Mills at the creative helm and two spaces in which to develop and showcase new work from the UK, their debut production is…(drumroll)…an American musical from 2000. An odd choice considering the Broadway production nearly two decades ago left critics unimpressed.

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Mouths In a Glass, Hope Theatre

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by guest critic Alistair Wilkinson

Having never been to The Hope Theatre before, I am impressed by the intimacy of being in a space that only seated fifty audience members at a time. It’s a shame that Mouths In A Glass has a small crowd, resulting in a shortage of energy.

Perhaps it is this that leads to a lacklustre performance on stage, resulting in a rather basic delivery. The narrative doesn’t flow and the majority of the comedy falls flat. There are occasional laughs in the audience, however they seemed to come from family and friends.

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Boy Stroke Girl, Etcetera Theatre

By guest critic Jo Trainor

“There aren’t many feminine girls who like Doctor Who, Sherlock Holmes, and vintage motorcycles.”

This line comes after protagonist Peter has met Blue, a non-binary waiter stroke artist, and is trying to explain to his friends why he’s interested in Blue. His friend Sara says this infuriating phrase as part of an explanation as to why Peter has been attracted to tomboys in the past and so might still fancy Blue if they turn out to be male. Peter responds by saying that he doesn’t really respect women who dress in a feminine way. 

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On the Crest of a Wave, VAULT Festival

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Camilla Whitehill’s grandmother died when her dad was 10 years old. He never talked much about her, but Camilla is fascinated by this woman she never met. Inspired by familial memory and grief, Whitehill and five other theatre makers draw on their own histories to create a playful homage to the endurance of family stories. It’s a joyful experience with a retro seaside aesthetic and a big heart, though lacking in polish and a consistent throughline.

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Jerry Sadowitz: Card Tricks with Appropriate Patter, Soho Theatre

by an anonymous guest critic

It’s fair to say that watching Jerry Sadowitz is not for the fainthearted. There is no topic that this infamous comedian/magician won’t attempt to mine comedy material from. So whilst a lot of his jokes are extremely funny, quite often they are proceeded by a jolt to the audience as they realise that yes, he is about to do a bit about some of the following subjects: paedophilia, the Hillsborough disaster, rape, the Holocaust, Trump (whom he supports), Bridget Christie and Stewart Lee to name just a few. Most of the time, the audience, who are well tuned into Sadowitz’s ruthless style, are in hysterics.

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