Report | Mousetrap Theatre Projects’ Anniversary Gala

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by guest critic Susannah Martin

On Sunday, the West End’s Prince of Wales Theatre saw some of theatre’s biggest stars  host and perform in the Mousetrap Theatre Projects’ Anniversary Gala, which nodded
to the 21 years that the charity has provided disadvantaged families and young people with the opportunity to experience live theatre. It’s a cause that is celebrated throughout the industry, and the night’s entertainment proved its importance for not only the recipients, but for the performers who have benefited from the scheme.

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Dirty Little Machine, VAULT Festival

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by Laura Kressly

What’s a woman to do when she wants to have filthy, degrading sex that directly opposes her feminist principles?

Find the most degenerate, weasel of a man in the hopes that fucking him will purge her of deep-seated desires to be used, of course.

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Lock and Key, VAULT Festival

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by guest critic Lara Alier

Smaller scale musicals are on the rise at the moment. They’re performed in smaller venues that, as well as being kinder on production costs, also offer an intimacy between performers and the audience that we really value.  Lock and Key’s cast is also small, with only two performers on stage, and a live quartet including a cello, violin, piano, and a cajón.

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Big Bad, VAULT Festival

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by Laura Kressly

A woman is chained up in a damp cell. Alone, she is watched by an unseen group of men, afraid of her power. She rants, lectures and mocks them, gradually exposing the real reason she is imprisoned. It’s a pretty horrible thing, but her story of abuse, sexual power and society’s fear of strong women echoes like the howl of a wolf.

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All Boxed Up, VAULT Festival

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by guest critic Alex Dowding

You wake up every day, stumble bleary-eyed into the kitchen, pour yourself a bowl of cereal, gaze at that oh-so-cheery character on the box and wonder what the hell they could be so happy about. Sound familiar? Well, All Boxed Up is what happens when writer Sammy Kissin stares at the lifeless eyes on the box until they start staring back.

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Old Fools, Southwark Playhouse

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by guest critic Joanna Trainor

“Why have you stopped eating?” Viv asks Tom at the nursing home. “Why have you developed an entirely different accent in your old age?” Tom could reasonably respond.

This is a slightly harsh opener; Old Fools is one of those productions that has a few things to pick at but is redeemed by its ending. From their first meeting to a cold garden in a nursing room, this is the story of Tim and Viv and Alzheimer’s.

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