by Zahid Fayyaz
After several years of development and subsequent building works, the Soho has opened its north London outpost in Walthamstow, in the beautiful former Granada Cinema that’s also a Grade 2 listed building. A lovely, glitzy venue, and with a capacity of just under 1000, this space debuts with Natalie Palamide’s award nominated Edinburgh fringe show, Weer.
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by Zahid Fayyaz
The New York cabaret star returns to London after the previous success of their Smiths/Frankenstein tribute show, with this personal and sensitive show focusing on Annie Lennox, Judy Garland, as well as Kate Chopin’s groundbreaking feminist novel The Awakening. As part of his Living Record Collection project, all these elements are mixed up with autobiographical elements of his own life, in a stunning 90-minute long cabaret show of real power and sensitivity.
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by Zahid Fayyaz
A hit in Australia, this rowdy and ‘immersive’ adaptation of Pride and Prejudice has now made its way to London, playing in the atmospheric tunnels under Waterloo station. Performed by five actors doing all the parts, this is a fun romp through Jane Austen’s iconic book. There is heavy encouragement from the performers to buy drinks throughout the show to keep the mood up but it’s still plenty of fun.
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by Joanna Trainor
“I am always performing.”
A tin shack has appeared on an empty patch of land in the exclusive neighbourhood of Stillwater in Cape Town. The only black couple on the cul-de-sac have been elected by the other “concerned residents” to serve an eviction notice.
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by Diana Miranda
What do you get when you put a sheep with existential angst in a black box theatre and add a spoonful of clowning? The answer is Sheepish, a goofy and delightful show that makes you laugh, reflect, and occasionally go, “Wait, what?” Written and directed by Lauren Talitha Ziebart, Sheepish is one of those theatre delights that refuse to take themselves too seriously.
by Diana Miranda
Death and The Cat, directed by Penny Gkritzapi, explores life’s ultimate and inevitable outcome – death – wrapped with absurdist humour and a surprising amount of heart. Robert Emlyn Slater’s debut play gives life (ironically) to Death. What starts as a comedy full of quirky characters slowly reveals itself as a deeper reflection on questions about what infinity means, and how the power of connection may ground our search for meaning within the immeasurable.
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by Zahid Fayyaz
The straight-talking Josephine Lacey’s debut stand-up hour is fresh from this year’s Edinburgh Fringe. The new grandmother from London, focuses on the subject of her raising her son, with him having Autism and Sensory Processing Disorder. Though this is not a natural subject for comedy, Lacey manages to put together an entertaining show from such a serious topic.
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by Zahid Fayyaz
Over the last few years, the Soho Theatre has been making a concerted effort to bring over and showcase comedians from India’s burgeoning stand-up scene. Coming back to the UK for the third time, Mumbai based Anirban Dasgupta, one of the continent’s brightest comedy hopefuls, is selling out rooms here in Britain.
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by Zahid Fayyaz
This is the sophomore effort from a former teacher turned stand-up comedian, after his critically acclaimed debut from last year The Last Living Libertine. This time around, the ‘modern day libertine’ talks about how he became a teacher, his mouse infestation, his weeknight escapades spent drinking, and how you can make money from participating in medical testing. The latter constitutes the meat of the show, as he explains how a malaria experiment almost went disastrously wrong.
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by Zahid Fayyaz
Former winner of Taskmaster and Celebrity Mastermind, and following regular appearances on Frankie Boyle’s New World Order and The Last Leg, Sophie Duker tours her new show to London this month. This is the sequel to her award-nominated 2019 debut, But Daddy I Loved Her, a play on the trademark phrase from Ariel in Disney’s The Little Mermaid, is a loud, brash and electric show from Duker.
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