Fatty Fat Fat, Vault Festival

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by Laura Kressly

Katie Greenall is a poet, musical theatre teacher and fat. She’s pretty much always been fat, and the world hasn’t let her forget it. Her reflection on life as a fat person is hilarious and vulnerable, poetic and frank, and deserving of every cheer she gets.

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Essex Girl, Vault Festival

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by Meredith Jones Russell

Kirsty is a sixteen-year-old girl growing up in ‘00s Brentwood. She likes blue WKDs, Elton John and pie and mash. She’s also desperate to hook up with ‘Sexy Ricky’, but has a secret she doesn’t want to share.

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Velvet, Vault Festival

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by Gregory Forrest

A red velvet chaise-lounge is a telling symbol. Positioned in the middle of the stage, the piece of furniture manages to evokes tacky luxury, softcore porn, and casting couch culture all at once. It is just one example of how smart Tom Ratcliffe’s one man show Velvet is.

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Opal Fruits and Dangerous Lenses, Vault Festival

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by Laura Kressly

It’s no secret that the social class system in this country has marginalised the working classes, with women pushed to the absolute fringes of society. To the world outside their immediate circle, sometimes no bigger than the street they live on, they are invisible. Solo shows Opal Fruits and Dangerous Lenses, though radically different in style, seek to change that by centering the working class woman’s experiences and demanding attention for those wilfully forgotten.

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Drip, Bush Theatre

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by Amy Toledano

In anyone fifteen years old, emotions are running high. Everything feels bigger and more extreme than it actually is, so it’s easy to be swallowed up by all the feelings. Add on top of that being queer in the North of the UK, and the teen years are bound to be an absolute rollercoaster. Drip is a lovely reminder of what it feels like to be young, and how important friendship is.

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The Ex-Boyfriend Yard Sale, Camden People’s Theatre

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by Laura Kressly

I contemplate a ratty t-shirt displayed on a podium alongside several other seemingly random items. I’m asked to write down how much I would pay for it. Determining it’s not something I’d wear or have any other use for, I wrote £0 on a slip of paper that I slid into a box behind it.

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Pickle Jar, Soho Theatre

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by an anonymous guest critic

A masterclass in one-woman storytelling, Pickle Jar is delicately told in the intimate setting upstairs in Soho Theatre. Staged on a minimalist set with potted plants in various locations, the setting gives little away of what the journey is we are about to experience. This places more pressure on the performer to create the world for us, but she certainly delivers.

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