Antigone, New Diorama

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by Laura Kressly

In 2018, Lulu Raczka’s A Girl in School Uniform (Walks into a Bar) showed her talent for writing compelling, teenage girl characters. In a world that’s so keen to criticise and dismiss young women and their interests and emotions, Raczka’s writing legitimises them. By putting them in life-or-death scenarios, she shows they are empathetic and capable of making huge decisions that shouldn’t be made by anyone other than those much older than them, but they can still like boys and partying. This two-person take on Antigone zooms in on young sisters Ismene and Antigone, social outcasts due to actions by others in their family and who are forced to grow up much too quickly.

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Out of Sorts, Theatre503

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by Laura Kressly

Zara lives with Alice, her best friend from uni. They work for the same law firm and party with the same friends, but their similarities largely end there. Alice is white and from a wealthy family, whereas Zara’s parents are working class, Muslim refugees from the Middle East. The class and race differences between the two women add to the increasing pressure on Zara to live up to the opposing ideals of the two cultures she inhabits, making her feel out of place in both. But how long can she keep up this balancing act before the strain becomes too much to manage?

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Shitfaced Showtime – Oliver with a Twist, Leicester Square Theatre

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By Amy Toledano

Magnificent Bastard Productions have had a fantastic few years with their Shitfaced shows, selling out Edinburgh regularly as well as having wonderful London and touring runs. This year’s instalment of Shitfaced Showtime is no exception to pandemonium that credits this show with it’s appeal.

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