Mette Ingvartsen’s Skatepark, Sadler’s Wells East

by Luisa De la Concha Montes

Last summer, with four years of on-and-off skateboarding experience under my belt, I keenly tuned in to watch the skateboard showcase at the 2024 Olympics. I remember feeling envious as I saw the skaters stylishly dropping from huge concrete bowls. I mentally returned to the Level in Brighton, where I spent many hours unsuccessfully trying to land a trick, surrounded by familiar faces and the intense smell of weed. There was a huge gap between my memories of skateboarding and the perfectly smooth bowl on the screen. It was numerical and structured; too polished from what I knew as skateboarding. I turned my computer off, incredibly proud of Arisa Trew, Hiraki Cocona and Sky Brown, but feeling slightly detached. How did a sport that started as a form of protest (the legend says that skaters in L.A. would break into rich people’s houses to drain their pools and use them to skate) turn into a $4.8 billion business?

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Salty Brine: These Are The Contents Of My Head (The Annie Lennox Show), Soho Theatre

by Zahid Fayyaz

The New York cabaret star returns to London after the previous success of their Smiths/Frankenstein tribute show, with this personal and sensitive show focusing on Annie Lennox, Judy Garland, as well as Kate Chopin’s groundbreaking feminist novel The Awakening. As part of his Living Record Collection project, all these elements are mixed up with autobiographical elements of his own life, in a stunning 90-minute long cabaret show of real power and sensitivity.

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Playfight, Soho Theatre

by Zahid Fayyaz

A massive hit at last year’s Edinburgh Fringe, this new play by Julia Grogan has now come to London for a three-week engagement. It is a three-hander, following the lives of three school friends, Lucy, Zainab and Keira, over a 10 year period during their adolescence and young adulthood. Beginning from just before their GCSEs, the last scene takes place post-university. The story is staged around a striking pink ladder in the middle of the stage that signifies an ancient tree the characters climb and gather around.

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Shafeeq Shajahan: The Bollywood Guide To Revenge, Soho Theatre

by Zahid Fayyaz

Cabaret star Shafeeq Shajahan has returned with a retooled and expanded version of his show from last year at the same venue. Heavily referencing and influenced by the 1970’s Bollywood film Satyam Shivam Sundaram, he works together with collaborator and composer Vasilis Konstantinides who is also a wonderful cellist. The show is a look at Shajahan’s background growing up as a queer man, the difficulties his faith and religious community presented, and its role in adding to his scars.

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