by Laura Kressly
Rosa’s been bloated and uncomfortable for about week, but she’s sure it’s nothing. She just needs to find some clothes that hide it, and are also suitable for a first date. A week after that, convinced the pain is something she’s eaten or trapped wind, she’s diagnosed with cancer. It’s 1 April 2018. She’s only 23 years old. Despite her hopes for it to be the year she sorts her life out, the reality is much more stark and scary.
by Dora Bodrogi
CW: war, migration, mental health, homelessness
How do you cope when the promise of the West turns out to be a city in the midst of a housing crisis, and you’re only one pay check away from homelessness? A.A. (Danaja Wass) doesn’t really know.
by Joanna Trainor
I love an illuminated umbrella. All shows could be improved by a light-up umbrella.
Somewhere beyond the sea, Emma waits on the shoreline by the Golden Gate Bridge, and PJ looks out from some of England’s slightly less famous white cliff faces. At face value this is a story about a long-distance relationship and the struggles you face when you’re in one. But more than that it’s about isolation, dependence and the ties we have to other people. There are sections that are a little obscure, and the performance takes a while to warm up, but the underlying theme will always pull you back in.
by Cara Lee
In the first of three one-woman shows performed by Katie Arnstein at the festival, she cleverly blends humour, emotion and the everyday sexism of our society to make powerful points. In this particular show, as she tells a story of “the day she became a feminist” as a teenager, she deftly weaves together women’s everyday experiences with the things everyone that age goes through, whilst adding a pinch of often ukulele-based comedy to lighten the tone of the whole thing.