by Laura Kressly
An M&S-shopping grandmother. A year seven girl. A young, gay black man. An armed services vet. These are some of the Extinction Rebellion activists that playwright Stephanie Martin celebrates through this articulate and impassioned collection of monologues that advocate for people to commit to any level of action against climate change. However, the problematic aspects of the movement are largely glossed over in order to frame its collective impact as wholly positive.
by Nastazja Somers
When I leave Velvel Havel by the Czech Theatre on the Balustrade, I burst out laughing every few minutes. I am walking on air. Air that is filled with ideas, pictures, smells, but above all, this air is home. It’s a revolution of sorts.
By Meredith Jones Russell
In 1953, nurse Patricia ‘Noisy’ Voisey and Gerald meet in Kings College Hospital in London when Gerald is admitted for a long stay in bed seven. Across the class divide, they form a firm friendship which turns to love.
By Meredith Jones Russell
Transporting audiences back to 1979, when Britain was on the brink of political collapse for the second time in a decade, Parabolic Theatre’s disconcertingly timely immersive live-action board game Crisis? What Crisis? is a thrilling opportunity to put yourself in the driving seat of power.
By Romy Foster
Deafinitely Theatre are the first deaf-lead, professional theatre company in the UK. They make work for deaf and hearing audiences by mixing BSL, visual/physical storytelling and, sometimes, captioned performances.
by Laura Kressly
CW: sexual abuse, rape, suicide
Jeanine is in her early 30s and seems to have herself together, but her friends know better. Though she can hold down a job, a relationship and hobbies, she can’t manage to get a handle on cleanliness and hygiene. Not that this really comes across in this production, though. Jay Miller’s low-key, casual realism and a clean design contradict the filth that Jeanine is supposed to embody.
By Laura Kressly
John Daniel and Noni are the last people on Bear Ridge Mountain. The butchers/petrol station/corner shop that has been in the family for decades is long closed. The village below them is abandoned and planes fly threateningly over head. As they bide their time in this empty, Beckettian hellscape crowded with the ghosts of fraying memories, a stranger appears out of the snow and threatens what little stability they have left.
The Play's The Thing UK 