Amour, Charing Cross Theatre

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by Amy Toledano

Post-World War II, the city of Paris is putting itself back together. People go to work, people get married, people get by. Monsieur Dusoleil (Gary Tushaw) epitomises this attitude, working harder than the other clerks in the office, and yet, he feels the sting of loneliness. Amongst the other tortured, Parisian souls is Isabelle (Anna O’Byrne), a woman married off much too young and trapped by a much older man, known simply as the Prosector (Alasdair Harvey).

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CLASS, Bush Theatre

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by an anonymous guest critic

CLASS, a play from Ireland co-written and directed by Iseult Golden and David Horan, is set around a teacher-parent meeting in a Dublin primary school. The teacher, Mr McAfferty (Will O’Connell), is a seemingly conscientious man who takes his job seriously. He invites the parents of one of his students, nine-year-old Jayden, to discuss his literacy learning difficulties.

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Die! Die! Die! Old People Die!, Battersea Arts Centre

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by Laura Kressly

Time. Generally, I never seem to have enough of it. Occasionally – rarely – I have too much to wade through before reaching something I’m eagerly anticipating – a holiday, the weekend, time with a friend I haven’t seen in awhile, or a desperately needed lie-in. Yet for Norman and Vivian, the elderly couple in Ridiculusmus’ new show about ageing, time is a languid, sluggish force. Every weighty moment is stretched to its limits, threatens to stall, and is marked by discomfort, weakness and struggle.

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