Tomorrow Creeps, VAULT Festival

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by Laura Kressly

I’m a big fan of Golem!’s approach to theatrical storytelling, and they’re a big fan of my review of their last production – so much so that their primary pull quote is one I wrote. It tops their programme, their press release and their festival listing. So it saddens me to say that Tomorrow Creeps pales in comparison to their I Know You of Old on which I lavish heaps of praise.

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You Having Olaf?, VAULT Festival

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by guest critic Amy Toledano

A stage dressed with cardboard cut outs of Donald Trump, three members of One Direction and a children’s play house are just some of the elements that make up this monologue of a recovering children’s entertainer. Joseph Cullen, or put more plainly Joe, who enters the space in a complete Princess Leia outfit, introduces himself to us as exactly this, and then continues to surprise us from that moment on.

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Trashed, VAULT Festival

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by guest critic Amy Toledano

Trashed is a high energy, thrilling and heartbreaking show that has the audience hooked from beginning to end. David William Byran plays Keith – a rubbish collector from a working class community in the UK. Throughout, Keith is engaging with the audience, asking questions and offering some of his beer, which he drinks continuously throughout the piece.

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Tumulus, VAULT Festival

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by guest critic Gregory Forrest

A serial murderer is killing [victim trope] and the police won’t listen. Now, a hero must find justice in his own way [he’s usually male], unaware that by digging up secrets he will soon become the killer’s next target. It is the worn-out plot of a thousand films. And it is the same tired story which is is given a jolt of electricity by Tumulus at Vault Festival.

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Alien Land, VAULT Festival

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by Laura Kressly

Saeed is a Bedouin Palestinian refugee, currently in prison. With no one to speak to, his imagination conjures all sorts of beings and memories. He tells the walls his family history and remembers an old man, a donkey, and and a faceless alien. But this disjointed piece takes too long to come together, and the chosen style confuses and disorientates rather than fully rallies the audience to his side.

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