Part of the reason I wanted to come to Buzzcut is that I find it hard to write about live art. I don’t dislike it, far from it – I have a broad but uninformed appreciation of it. But my theatrical home is built from Shakespeare, text-based narratives and the great American playwrights. I’m no Megan Vaughan or Rosie Curtis – I see performance art every now and again, but not nearly enough as I should. So the goal is to see a lot of live art, and write about. The range in styles and approaches is vast and the festival draws live artists from around the country, so it’s a great place to experience this form of performance.