All’s Well That Ends Well, Royal Shakespeare Theatre

by Michaela Clement-Hayes

Although often deemed a ‘problem play’, All’s Well That Ends Well can also be said to be progressive. Our heroine gets a lot of stage time, soliloquies and – for want of a better word – sass.

And yet, some of the characters are lacking. We may never know why Shakespeare chose to write them as he did, but (and perhaps because we are not 100% sure of the final play) the idea that Helen and Bertram live ‘happily ever after’ because she’s carrying his child is a bit ridiculous.

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