As part of The Housemates Festival, City Lighthouse Theatre Company presents CONCHA, a one-person show (written and performed by Carly Fernandez) telling a semi-autobiographical story about intersectionality of queer and immigrant experiences in the UK. After the protagonist finds out they’ve contracted an STD, they navigate past and current relationships interacting with multiple characters through voice-overs.
Unfussy and rich – that’s what Eating Myself is, in a good way. Although, one of the key takeaways from this one-woman show is that no rich Peruvian dish goes without a fuss. Eating Myself is an endearing monologue by Pepa Duarte about food that navigates the intersections between body stereotypes, family, traditions and cuisine.
Frank Ocean fills the air, and audience members tap their feet and nod their heads in time. I jokingly ask my mum if she recognises the song as I recall how I wailed and begged about 10 years ago for her to download his album onto her iPod. Indulging in Frank Ocean’s music is like a Black right of passage. I don’t know anyone who doesn’t adore his range, and if you don’t – you’re lying.
Toxic masculinity is entrenched in contemporary life, from wider political and social systems to the minutiae of our daily interactions. It doesn’t just harm women; it also broadly shapes men and boys’ relationships with each other. One way this manifests is through displays of overt heterosexuality and other stereotypically masculine behaviour particularly in places like schools, where teenage boys constantly scuffle for power and try to fit in. Any new students need to quickly find their place in the hierarchy, preferably near the top. However, those who are already there sense their position is precarious so they bully anyone that could be perceived as a threat. Darren is one such lad who senses weakness in the quiet and bookish Mark who just joined their year 10 cohort, but Darren also senses something in himself that he believes must be kept in check.
Playing Latinx is a co-production by Guido García Lueches and MarianaMalena Theatre Co. The script is inspired by Guido’s real-life experiences auditioning within the UK theatre and film industries, navigating the exploitation of Latin stereotypes, and the thin line between going harmlessly along and complying with problematic myths. The Latin American theatremakers have devised a one-person show in which they’re doing and saying all the wrong things, Guido tells me, but making sure that people know it’s all wrong.