Mendoza, Southwark Playhouse

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by guest critic Nastazja Somers

A Shakespeare expert, friend of mine always says, “I love Shakespeare but I hate watching it, most of the time it bores me”. And isn’t it the truth? I get to see a lot of the Bard’s plays and most of the time I leave theatres feeling uninspired and craving a surprise. I yearn for Shakespeare productions that will move audiences whilst placing them in a centre a collective experience.

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Our Fathers, Traverse Theatre

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by guest critic Liam Rees

Think about your parents, or a parental figure. How have they impacted who you are now? Whether positive or negative some mark will inevitably and irrevocably remain.

Now consider the effect of growing up in a religious home, specifically as the child of a minister. The stereotypes that come to mind are either that they’ll dutifully keep the faith, join the ministry or violently rebel, like Nietzsche proclaiming ‘God is dead’ or worse, put those oratory skills to use in the theatre. Performers, and children of reverends, Rob Drummond and Nicholas Bone seem to exist somewhere in between the stereotypes.

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