As the audience enters, Richard sits at a pub table on an otherwise bare stage. It’s impossible not to watch him until the house lights dim, and this opening sets the tone for the two and a half hours to come. With generically modern costume and no clear concept, Mehmet Ergen’s interpretation employs a light touch on the design elements. However his focus on the text and story is on point, making this an easy to follow and engaging production. Staged in the Arcola’s main house where the audience closes in on three sides of the stage, this is the sort of space that brings out the best in Shakespeare’s energy and language.