by guest critic Rebecca JS Nice
Elixir’s programming at Edinburgh Festival 2016 packed out the purple cow and Thomas Gorham, Rowan Thomas and Cal Harris filled the expansive space with charisma and flying bodies. Playing to a much more intimate audience in the Underbelly’s Spiegeltent this year, Australian company Head First Acrobats carefully adapt their relationship with the audience which is bought right up close to a whizzing cyr wheel and regurgitated tonic water.
Every Londoner has strong feelings about the tube. They love it, hate it, love to hate it, depend on it, avoid it, sometimes all at once. In Lines, Rose Bruford students pay homage to the underground by extracting individuals from the millions of faces that blur through stations each day. A collage of movement, narration and dialogue captures the diversity of the city with a lovely affection, but the tangled, underdeveloped plot threads that emerge aren’t followed through.
Writer Ian Horgan has numerous lovely ideas but none of them, even the fictional disaster that has the power to unite passengers, is chosen as the narrative spine. Whilst this adds to the montage effect of individual moments, it’s a format that only works for short periods of time. There are certainly some great stories of individual characters and any of them could be short plays in and of themselves, but here they are unsatisfying. The sections of spoken word vary in the quality of delivery, but this is a style that Horgan uses inconsistently. The use of live music is much more regular, and a great contribution to the piece.
There are some great performances, as should be expected from drama school students. No one stands out as a weak link and their time training together has formed a seamless ensemble. Lines also has the distinction of one of the more ethnically diverse productions of the fringe, which in and of itself is hugely commendable.
Though this affectionate tribute to London transport has plenty of potential, it falls short of true excitement or innovation in its current form.
Lines runs through 15th August.
The Play’s the Thing UK is committed to covering fringe and progressive theatre in London and beyond. It is run entirely voluntarily and needs regular support to ensure its survival. For more information and to help The Play’s the Thing UK provide coverage of the theatre that needs reviews the most, visit its patreon.