by Zahid Fayyaz

Immersive theatre specialists Punchdrunk have opened their second show in what is their own, custom-built space in Woolwich Arsenal, following on from The Burnt City. Based on a 1901 gothic short story, The Moon Slave, written by Daisy Johnson and with narration by Helen Bonham Carter, this is a relatively starry shift from the company. They have also moved away from their previous productions by putting together a linear narrative, rather than allowing the audience free reign over the space and story.

Put into groups of six, the audience are instructed to remove shoes and socks before going into the space. We are given headphones that tell us the story, and are led around the space with lights as a guide. The story itself is both a dream and a nightmare, with recurring concepts and with some of the physical restraints extremely well done – they make the journey evocative for the audience. The normal cast of characters has been replaced by dioramas and lighting tricks, but the technical mastery of the show helps illuminate the production. It’s impossible to give plot details without giving spoilers, but nothing is disappointing. Further, the show has a wonderful soundtrack, with some of the songs being extremely well-suited to the occasions when you are moving between scenes and areas.

There are instances of pitch black darkness and some others of claustrophobia, all signposted before going into the space, but it still may not be for everyone. However, this is a wonderful experience, and another Punchdrunk triumph.

Viola’s Room runs through 30 August.

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