Big Girl, Bread & Roses Theatre

by Laura Kressly

Emily Jane Rooney longs for a world that doles out praise for being happy rather than being skinny, and where people can comfortably be their true selves. On the other hand, she wants the posh kid she works with to just fuck off. This clever use of contrast – switching from warm and vulnerable, to biting and sharp, and back again – keeps this one-woman show consistently engaging and fun despite a few underdeveloped moments that don’t fully cohere with the rest of the narrative.

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