The Damned United, Pleasance Theatre

img_0255
By an anonymous guest critic

There are few sadder sights than two old blokes trying to describe their team scoring a goal. Yet in Red Ladder’s production of The Damned United, we are subjected to this sight a few times. And this isn’t even the worst of its crimes.

As with many adaptations, The Damned United struggles to get out from under the shadow of the excellent film made of this story. Red Ladder don’t really bring us any new angles on Brian Clough’s story, begging the question- why on earth did they bother?

Firstly, the performances: the two lead actors aren’t bad. They both give good accounts of themselves, but distractingly neither actor looks anything like their subject. This wouldn’t be too much of a problem, but there is absolutely no chemistry – or even any sign of affection – between the two lead men. The film version, by comparison, brought a tear to my eye.

Then, there’s the staging: It is patently difficult to recreate football scenes – even dressing room scenes – if you’ve only got three actors. This leads to scenes with projected footballers skulking on the training ground, and the aforementioned football match describe-a-thons.

Lastly, the script: is unforgivably flat. People who know the Clough story aren’t likely to learn anything here – and I wonder if people new to his career will understand what is even going on. The jumping about between the two clubs is messy and confusing.

Also, Clough is known as a big character – a bolshie egotist with a sharp tongue – and we don’t see nearly enough of his sass in this script.

If we’re going to see a rehashing of a successful book and film, we need to be shown the things that theatre can do better than the film version does. This show doesn’t seem to attempt anything other than a hollow imitation.

The Damned United runs through 17 November.

The Play’s the Thing UK is committed to covering fringe and progressive theatre in London and beyond. It is run entirely voluntarily and needs regular support to ensure its survival. For more information and to help The Play’s the Thing UK provide coverage of the theatre that needs reviews the most, visit its patreon.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s