Grace and Marcus are a picture perfect, upper-middle class married couple, even with their opposing politics. They own their own home by their late 20s, she’s an artist and writer, and he works for the government. Nothing is as it seems on the surface, though. When radical old friend Aaron turns up much to Grace’s delight and Marcus’ resentment, the threesome’s complicated history stemming their student days is gradually relived over dinner. A series of fragmented, vague flashbacks interspersed with a confused present muddies truth, lies and allusions to a violent, dystopian world outside the tidy, suburban house – but there is a pronounced lack of overriding purpose to the messy story. 

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