Rhesus, everything theatre

“Trinity Buoy Wharf was new to me as a venue, but certainly worth the trip. It is far from a conventional performance space…There is no obvious stage or audience space…Excellent lighting design by Pablo Fernandez-Baz gives this stark, damp basement with challenging sight lines a polished, professional feel. The set by Zahra Mansouri is minimal, but suits the space well and the audience sit amongst it, included in the world of the play…

“…There is absolutely no actor-audience boundary initially, but this changes when the play properly starts. From then on, there is no contact from the performers…

“The text is spoken well and all of the actors seem comfortable with heightened language. The cast is predominately female…Whether or not it was intentional, due to the cast being very young (late teens to early twenties, I’d guess) it carried a disturbing reminder that many who fought in our past wars were young and child soldiers are a very real tragedy in many places around the world today…

“The most notable features in this production are the regular movement sequences between the scenes. Some are abstract, some capture the brutality of battle and killing. All of them are impeccably choreographed and directed by Ailin Conant of Theatre-Temoin

“The performances in this ensemble piece were good, but as is often the case with very young performers, few stood out. No one was particularly weak but neither was anyone outstanding…

“The venue is certainly worth experiencing in this well-designed production of a rarely performed play. Though a showcase, it is certainly not a difficult one to sit through.”

Read the entire review on everything theatre here.

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