
by guest critic Meredith Jones Russell
It’s 1626 and a young d’Artagnan sets out for Paris, determined to join the King’s Musketeers. There’s just one problem – women aren’t allowed.

by guest critic Meredith Jones Russell
It’s 1626 and a young d’Artagnan sets out for Paris, determined to join the King’s Musketeers. There’s just one problem – women aren’t allowed.

by guest critic Joanna Trainor
There is something magical about watching this open air production of The Tempest in the gardens at the Actors’ Church. Sun going down, wind whistling through the trees – it is such a beautiful setting and the lighting and sound design by Benjamin Polya and Filipe Gomes respectively set the mood perfectly. Actually, the performance itself could have done with a little more actual magic*, not that we don’t appreciate a good coin being pulled from behind someone’s ear trick.