The Oresteia, Progress Theatre

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By Louis Train

“Things evolve,” writes Rhys Lawton, director of this youth production of The Oresteia. “The same topics for examination that were needed then [in Ancient Greece] are not needed now, so instead we have to look at the parts of society that haven’t managed to evolve; the treatment of women, the questioning of authority and the fear of the other.”

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Hole, Royal Court Theatre

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by Maeve Campbell

Leaving the Royal Court after watching Ellie Kendrick’s new play Hole, I overhear another audience member describe feeling like she has just been “hit over the head with a sledgehammer”. It’s a pretty apt description.

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